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Our Favorite Typefaces of 2007

Typographica on March 9, 2008

Best Fonts of 2007Typographica’s fourth annual review showcases the best in new typeface design. Twenty-five of the world’s brightest graphic and type designers selected their favorite font releases of the year. We welcome to our regular cast of contributors: David Berlow, Ellen Lupton, and Erik Spiekermann, among others.

This edition brings two changes. First, the description has evolved from “fonts” to “typefaces”. Yes, there is a difference. Mark Simonson explains it best:

“The physical embodiment of a collection of letters (whether it’s a case of metal pieces or a computer file) is a font. When referring to the design of the collection (the way it looks) you call it a typeface.”

Our feature is more accurately a celebration of new typefaces than new fonts. Keeping these two terms distinct may be a losing battle at a time when some have already declared the words interchangeable, but we’re going to go down fighting.

Also new this year is an expanded format. Each selection gets a larger sample image, its own comment thread, and (where available) examples of the typeface in real-world use. I hope the new format encourages discussion about each face and stimulates the typographic side of your design brain.

Finally, a word on who to watch for in 2008. I was tickled when our list was once declared “the Oscars of type design”. That label is too grand — but what the heck, let’s run with it. A few rare actors and directors are nominated for two Academy Awards in a single show. It’s just as remarkable when a type designer is honored for more than one typeface from the same year. Our latest crop of honorees has three such standouts: Tomáš Brousil, Christian Schwartz, and Kris Sowersby. Schwartz makes a perennial appearance on the list — no surprise there. But Brousil and Sowersby are newcomers, each showing incredible talent, range, and an ability to meet the needs of the modern graphic designer.

Without further ado, the envelopes please.

The 2007 selections are shown in the column at right.

Other notable releases from the year are listed below, with the editor’s favorites at the top of each class.

Suite/System

Serif

Sans

The “Type 2007” logo is set in Gloriola by Tomáš Brousil. Many thanks to our contributors for their excellent reviews, and to the brilliant blog wranglers at Apperceptive for bringing our rickety old site back to life. — Stephen Coles

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24 Responses

to “Our Favorite Typefaces of 2007”

  1. Chris says:

    Brilliant, as usual. If Typographica did nothing but this yearly round-up I’d still be happy.

    Personal favs, Greta and FF Meta Serif.

  2. johno says:

    Another great list. Thanks for all your hard work. A truly inspirational list of typefaces (some nice fonts too ;) )

  3. Dav(id) says:

    Finally. ;) Nice.

    Thanks, as well. My personal favs out of the winning ones: Graphik, Malaga, Minuscule and Los Niches.

  4. Thanks for highlighting a font of Uruguay (Economica).

  5. Lukas says:

    Nice List. Thank you. You got my del.icio.us bookmark!

    My favorite is Graphik by Christian Schwartz for web.

  6. JLT says:

    BTW, if everyone could digg this story here:

    http://digg.com/arts_culture/top_fonts_of_2007

    that would bring us plenty of extra-type-insider traffic.

  7. Wow! A wonderful bunch of new fresh typefaces. well done everyone. Also thanks guys for mentioning Brasserie.

    Cheers

  8. Ivo says:

    2007 was a good year for typography. Beautiful list.

  9. Chris Lozos says:

    A good crop this year! Thanks for pulling this together.

    ChrisL

  10. Thank you for trying to restore the distinction between typeface and font.

  11. Kevin says:

    Boy, it sucks to be a web designer! Such beautiful work.

  12. Jacques Le Bailly says:

    Chapeau ! and Merci !

    Jacques

  13. Nick Sherman says:

    The way I relate the difference between typeface and font to my students is by comparing them to songs and MP3s, respectively (or songs and CDs, if you prefer a physical metaphor).

    As an interesting side note, music also has some awkward terminology jumbles very similar to the font/typeface thing: Most people (including myself) use album and record interchangeably, but I’ve heard discriminating music nerds scoff when someone refers to an album reproduced in CD form as a record (which, they argue, is a term reserved only for the grooved vinyl discs which are played with a turntable and stylus).

  14. I tip my hat to your selection and shared it with the typesetting community on typesetterforum.com

  15. thomas says:

    Would be nice to have the best public domain or GPL’d typefaces of 2007. As you know the quality of the free stuff can be hit & miss. Sometimes per glyph. ;P

  16. That would be a very short list indeed, Thomas.

  17. Kenneth Pilo says:

    Great work! Thanks for putting the super trouper on Pilo.

  18. Carolyn says:

    Hi Stephen.

    Thanks for visiting my blog. And thank for the explanation of typeface vs. font. You said ‘clear as mud’, but your ’song vs. MP3′ explanation was crystal clear. Makes sense to me now. Cheers, eh!

  19. Galen King says:

    Nice collection. Thank you for this. It’s always hard straying away from one’s favourites and finding new ideas. Cheers.

  20. James Dehnert Sr says:

    You forgot Champion Script Pro.

  21. Terry Biddle says:

    Ahhh. I look forward to this list every year.

  22. Great, tasty, lucid and luscious. Thanks and thanks again to all who helped pull this list together.

    Thanks too for mentioning Amity and Sibyl. Being in such illustrious company is rocket fuel to me.

    To infinity and beyond!

    2007 was a good year for typography.

    It sure was man.

  23. Carmen A Pop says:

    Alida has such an attitude, snap girl!

    I used her in a logo design for a local food chain. We had each letter printed on a 42″x35″ canvas from and put in their regional offices, they loved it and the white font just went pop on the colored background.

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Selected by
Eben Sorkin

Urbana

Selected by
Karsten Luecke

Taz III

Selected by
John Downer

Scriptonah & Casual Brush

Selected by
Corey Holms

Restraint

Selected by
Ellen Lupton

Purista

Selected by
Duncan Forbes

National

Selected by
Erik Spiekermann

Minuscule

Selected by
Anna Malsberger

Los Niches

Selected by
Tim Ahrens

Lineare Serif

Selected by
Christian Palino

Leitura

Selected by
Tiffany Wardle de Sousa

Kinescope

Selected by
Kris Sowersby

Graphik

Selected by
Chester Jenkins

Greta

Selected by
Stephen Coles

Gloriola

Selected by
Ben Kiel

Giorgio

Selected by
David Berlow

FF Beowolf & BeoSans OT

Selected by
Yves Peters

Feijoa

Selected by
Joshua Lurie-Terrell

MVB Sacre Bleu

Selected by
Tiffany Wardle de Sousa

Malaga

Selected by
Aegir Hallmundur

FF Meta Serif

Selected by
Mark Simonson

Arno

Selected by
Paul Hunt

Anselm

Selected by
Christian Schwartz

Burbank

Selected by
Tiffany Wardle de Sousa

Blaktur

Selected by
Florian Hardwig

Beorcana

Selected by
Christian Palino

Burgues Script

Selected by
Nick Sherman

BistroScript

Selected by
Jan Middendorp

Dancer

Selected by
Eben Sorkin

Olicana

Selected by
Ricardo Cordoba

Fab

Colophon

Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles, also of
The FontFeed and The Mid-Century Modernist.

Founded in 2002 by Joshua Lurie-Terrell. Redesigned in 2009 by Chris Hamamoto and Stephen Coles.

Set in Georgia by Matthew Carter and Lucida Sans/Grande by Charles Bigelow and Kris Holmes

Brought to you by this month’s nameplate sponsor, FontShop, MyFonts, Veer, Wordpress, and the letter B.

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